Showing posts with label documentary film. Show all posts
Showing posts with label documentary film. Show all posts

Friday, April 12, 2019

Inside a fabulous library of 65 years ago.

Be still my heart. A librarian's stroll down memory lane, a bibliophile's paradise, a film made in 1956 of la Bibliothèque nationale de France (the National Library of France) in Paris. Much of it looks like the inside of the library at the University of Illinois where I worked as an undergrad, graduate student and a professional librarian (in Slavic studies). I can almost hear the creak of the elevator, smell the dust and mold, and feel my shoulders ache from lifting heavy volumes. And yes, librarians did wear high heels and dresses in those days. We wore lab coats to go into the bowels of the beast to look at the latest arrivals from Russia and Europe. If you've ever worked in a large, magnificent library you must see this film.

https://aeon.co/videos/a-bibliophiles-paradise-the-national-library-of-france-in-a-classic-documentary-from-1956  (21 minutes)

Monday, December 24, 2018

They shall not grow old

Today at the gym I heard about "They shall not grow old" a film about WWI using British footage, and by the magic of technology, massaged to make a wonderful retrospective. As far as I can tell it is/was available only Dec. 17 and Dec. 27, which means we have another chance. In Columbus it's at Cinemark on Bethel Rd., 1 p.m. and 4:00 p.m.
https://www.latimes.com/entertainment/movies/la-et-mn-they-shall-not-grow-old-review-20181215-story.html

2018 is the 100th anniversary of the end of that terrible war that wiped out a generation of European men. Americans entered it late, but the Ohio History Center has a fabulous exhibit.

“After receiving hundreds of hours of footage from the museum, whose archive is among the world’s largest, the first order of business for Park Road Post was cleaning the film up, removing dust, scratches, tears and other flaws.

Then there was the tricky question of timing, of getting footage that was hand cranked at a variety of speeds to all sync up to today’s 24-frames-per-second standard without looking speeded up or slowed down.

Next came colorization, a process that went to extraordinary lengths to achieve accuracy, including trips to actual footage locations to take thousands of reference photos. No detail, not even the color of a button, was too small to get right.

The same kind of meticulousness went into the soundtrack, where sounds like horses hooves and footsteps in the mud were layered in.”

Friday, December 21, 2018

This is what you get with socialism

“Eighty years ago (November 17, 1938) Stalin ended the Great Terror, citing “local excesses” that had come to his attention. It wasn’t until two decades later that the KGB tallied the victims of the sixteen-month reign of terror at 1,334,360. Half were shot, and the rest sentenced to the Gulag. The Gulag itself continued to grow during and after the Second World War. It reached its peak of 2.5 million prisoners shortly before Stalin’s death. Of these, one out of five were women.”

https://www.womenofthegulag.com/

“Many hoped the Bolshevik Revolution one hundred years ago would usher in a new era of gender and class equality. Following the revolution, Soviet Russia declared “International Women’s Day” an official holiday, and “Marxist feminists” romanticize communism to this day. Women of the Gulag, both a remarkable book and a documentary film, highlights the disparity between the Soviet Union’s alleged gender equality and the reality of life for women under communism.”

Yes, we hear about gender equity from our college students and leftists in business and government.

“Joseph Stalin was responsible for the deaths of over 20 million people. Yet today in America, teaching on the crimes of communism is so bad that almost one third of Millennials think President George W. Bush killed more people than this Marxist mass-murderer. Those who are familiar with the history of Stalin’s Soviet Union might recall the name of Alexander Solzhenitsyn and his iconic Gulag Archipelago. Fewer still know that the majority of those who experienced—and survived—the Gulag were women, and it is their experiences, their memories, that must be preserved and shared to ensure the next generation understands the consequences of Stalin’s failed collectivist policies and his horrific disregard for human life.”

https://womenofthegulag.com/media-press/

Friday, August 10, 2018

The Sultan and the Saint by PBS, Friday movie at Lakeside

Based on the book The Saint and the Sultan.  https://washtheocon.org/wp-content/uploads/2012/11/Book-Review-Moses-THE-SAINT-AND-THE-SULTAN.pdf

I left the movie after about 5 minutes.  First, I read all the opening credits—all but one were Muslim funding sources.  Now that is fine, but as the saying goes, “You dance with the One who brung you,”  and the production company is an Islamic non-profit. Second, I looked at the faces of the actors portraying the Christians in the opening scenes—they all appeared to be mentally challenged, or starving, or ugly.  Except the pope.  I think he was fat.  Not a good sign.  And the AC was blowing too hard, so I said to Joan (friend), See you later.  I found this review by someone who watched and took notes (which I’d intended to do). All I have is her pseudonym.

-------

I watched it all last night and took notes, writes Erikaspirit16 at the Catholic Answers Forum.

“First, Alex Kronemer is the exec. producer. [This is his production company, Unity Productions Foundation.] He has produced 9 movies on Islam, most of which have been shown on PBS (Spain, Islamic art, Muhammad, etc.). I can’t find out much about him, other than he has an MA in comparative religion from Harvard and he did a lot of work for the federal gov. in various positions. His wife has a Muslim-sounding name. Is he a convert to Islam? I don’t know. In any case, his movies are always very sympathetic to Islam.

If you looked at the sponsors / supporters of the movie at the beginning, other than the Sisters of St. Francis in Iowa (!), they are all Muslims. PBS tacked on a note at the end of the list saying a complete list of sponsors was online at PBS.org, but I couldn’t find it. But clearly this movie (and others by Kronemer) are very sympathetic to Islam, and show it in the best possible light. In other words, propaganda. There is no attempt to be even handed or objective. But of course that’s how it is presented: an accurate, objective presentation of the “facts.”

Is the movie “wrong”? Well, other than pretending a beach in Maryland is a beach in Egypt, no. But the sins of omission are many!

First, the title. They flipped it. The book by Paul Moses (who is one of the commentators) is “The Saint and the Sultan.” The movie is “The Sultan and the Saint.” Subtle, but it shows where it’s coming from.

We begin with Alexius, the Byzantine emperor, writing to the pope asking for mercenaries. No background is given at all. The impression is given that the Pope (who says “my armies” --hardly) began the Crusades as an imperialist venture. Nothing about the destruction of the Church of the Holy Sepulchre in 1009 by Sultan al-Hakim of Egypt; nothing about the interruption of the pilgrim routes; nothing about the Battle of Mantzikert in 1071 where the Saljuq Turks defeated a Byzantine army. All that is omitted. And of course the Byzantines had Western mercenaries in their service for a long time–this was not an innovation.

Then we have the Crusaders vs. Muslims story line. But of course (!) it omitted the fact that the Crusaders in the 5th Crusade had made an alliance with the Turks to occupy al-Malik al-Kamil’s brother in N. Syria. So you have Muslim Turks allied with Christian Crusaders. The Christian / Muslim divide isn’t quite so clear now, is it?

Then the population of Egypt is completely ignored. Most scholars think that at the beginning of the Crusades, Egypt was still a Christian country. Muslims were a minority. It’s only during the Crusades (particularly after the Crusaders burned Old Cairo (Fustat) in 1171) that the Christians began to convert to Islam in great numbers, not for religious reasons, but because they were seen as fifth columnists who would support the Crusaders given the chance. By the 5th Crusade, a large number of Egyptians were still Christian. The business about al-Kamil ruling in favor of the Christians against Muslims who wanted to tear down a church needs to be seen in this light. And even in Egypt today, Christians need a gov. permit to even repair a church, let alone build a new one.

There is some nonsense scattered throughout about “conflict” and the brain, etc. which seems to be there simply to emphasize the violence of the Crusaders vs. the peace-loving Muslims.

al-Malik al-Kamil. Poor Jeremy Irons spent the entire movie pronouncing the name as “Camille.” Why didn’t someone help him out??? It’s pronounced with the stress on the 1st syllable and the final ‘L’ as a “light” l . And al-Kamil, contrary to the impression in the movie, wasn’t the sultan at the beginning of the 5th Crusade. His father was. Al-Kamil came to power in Egypt only. Another brother got Palestine and southern Syria. A 3rd brother got N. Syria and what are now parts of Turkey and Iraq. Al-Kamil didn’t come to power smoothly–there was an attempted coup by a Kurdish regiment. (Al-Kamil and his family were all Kurds.) After the Crusade was over, there was conflict among the brothers, and the Ayyubid dynasty basically dissolved into family quarrels.

Massacre of the Jews in the Rhineland during the 1st Crusade. Yes, it happened. But the movie neglected to say that the Papal representative and the Church generally tried to stop it. And needless to say, there was not a peep about the massacre of the Jews in Granada in 1066—a massacre by the Muslims that most scholars think killed more Jews than the Crusaders did. Note that it was only about 30 years earlier.

At one point the young al-Kamil is reciting the verse about “no compulsion in religion.” Very true. But an objective presentation would have mentioned the imposition of the jizya tax on non-Muslims and the “Pact of 'Umar,” a very discriminatory set of rules for non-Muslims (they couldn’t ride horses, had to dress a certain way, had to make way for Muslims in the street, etc. etc.). Contrast that with a comment later in the movie: “Muslims were considered beasts” by the Crusaders. Not sure where that comes from–I’ve never come across it! And the idea that if only the Crusaders met “real” Muslims all would be well is just silly; Crusaders had been in Palestine well over a century by the time of the 5th Crusade. They had adopted many ideas from the Arabs and had lived with the Arabs.

At one point the movie talks about the “vengeful God” of the Christians. No balance; no other point of view mentioned.

Michael Calabria is the featured commentator, although there are others. From what I can find, he is a Franciscan friar and professor at Bonaventure U. He studied Egyptology. After he became a friar, he seems to have switched fields and now writes about Islam and Christianity (thus his presence in this movie). However, as a long-time student of the Crusades, I have never run across him or any of his work.

The movie portrays Francis as visiting the sultan’s camp to convert the sultan and / or his army. In the 13th century, Christians had the notion that they could make headway by converting Muslims, esp. their rulers. One of the reasons Thomas Aquinas wrote his Summa was as a tool to convert Muslim rulers in N. Africa. So the notion is not new or unique to Francis–he was simply one of many with that notion.

And the sultan allowing Francis to address his court is a common theme among Muslim rulers. This was not unique, it is mentioned often. But of course the idea was that the Muslim rebuttal of the ignorant Christian would show how great Islam was; it wasn’t simply a gesture of ecumenicism or toleration.

The similarities of the Fatiha and the Our Father have been remarked on before. As have the similarities of the 99 names of God vs. a litany of the aspects of God in Christianity.

The movie ends with the idea that the Crusades ended because the idea of a “loving God” replaced the idea of a “vengeful God” in Christianity. Nonsense. The final wish that “the road to peace runs through humanity that we all share,” is a pious hope we can all agree on.

Saturday, September 15, 2012

Will Obama now give back PAC money from donor who insulted Islam in a film?

Bill Maher made a film that mocked Christianity and Islam. Bill Maher also contributed $1 million to a pro-Obama super PAC. Will Obama now give it back since the administration is blaming a youtube video that's been out for months for violence on 9/11?

Maher's film "Religulous" grossed over $13 million after having a production budget of $2.5 million. As of 2012, it's 15th among the highest grossing documentaries in the US and was the highest grossing documentary of 2008. [Wikipedia] "He takes shots at the three major monotheistic religions, Christianity, Judaism and Islam. Religulous also mocks the more bizarre elements of Scientology and Mormonism. Eastern religions like Buddhism and Hinduism get a free pass." [Purple state of mind]

A Jew ridiculing Islam? That would have provoked a riot, if that's what this mess in the Middle East  is about.  But there’s always free speech for the Democrat. Just not for others.

Friday, March 12, 2010

The dangers of ISM--1948 cartoon



Everything is still true today.

Can be downloaded from Internet Archive. Comments are rather amusing and naive at that site.

Tuesday, April 28, 2009

The story of small town recreation in 1957

According to a July 1957 issue of the Mt. Morris Index (a weekly newspaper that launched the printing career of the Kable Brothers), a movie company came to Mt. Morris, Illinois on July 3, 1957, to do a recreation advertisement movie. The filming crew returned on July 15 because they needed several more people to film another segment. A classmate of mine, Nancy, remembers being in the film along with her parents and brother and when we had coffee during my Easter visit to Mt. Morris, she mentioned it.

Coffee with Lynne and Nancy at the Mounder Cafe

She found the article in the Index which reported that it was a 20 minute color motion picture and the title of the documentary was "Town & Country Recreation.” The Director was Oz Zielke, Cameraman Frank Plieffer of Dallas Jones Productions of Chicago, and Gene Balsley, Unit Manager. The film was sponsored by the nonprofit Athletic Institute of Chicago and was designed to show towns and villages how they can offer their citizens the most recreational opportunity at the least cost per person. The fictional city in the story is "Spring Valley," however, most of the actors and the majority of the locations were to be taken from the Mt. Morris vicinity, since the sponsors of the film felt that Mt Morris was representative of what can be accomplished by a good recreation program, including both town & farm families.

I poked around on the internet and found a description of such a film in a database of old marketing and documentary films, from the 1930s through the 1980s. Films about bullying from the 1950s; and visiting an airport in the 1940s, etc. According to a description of Audiovisual Geeks on Internet Archive, it is: "The A/V Geeks Film Archive is an ephemeral film collection curated by Skip Elsheimer. What started as a hobby more than ten years is now a lifetime commitment. His collection has grown to over 20,000 films gathered from school auctions, thrift stores, closets and dumpsters. He presents themed film shows in his home base of Raleigh, North Carolina and he's taken his shows on the road across the United States. Films from Skip's archive have been released on DVDs. For more information about A/V Geeks upcoming shows, the DVDs, stock footage inquiries and donating to the collection, visit http://www.avgeeks.com. Skip is happy to be able share these selected films from his collection online - giving them a life beyond their intended purpose as little cultural time capsules of our immediate past. Enjoy!"

So we're waiting to hear from "Skip." My friend Nancy is hoping this is the film, and if it gets transferred to video and put on the internet, or to DVD, we’ll all get to watch “the way we were.”

I have never cataloged or described a film (I was a cataloger of Slavic material back in the 1960s), but I think the numbers tell how far into the film the description is. I don’t know what some of the abbreviations mean. They could be descriptors or tags for what the camera is doing or of the film quality--I just don’t know. I’ve looked in the Library of Congress Thesarus for graphic material, but don’t know if the person who did this description used it or something more simple like a homemade template for the video database. I think CU might be “close up,” WS could be “white space,“ FG possibly Foreground. But these are wild guesses. Maybe I’ll check with some other retired librarians.

There is no lake in Mt. Morris, so I'm wondering if that scene might have been taken at Lake Louise near Byron--because school buses may have taken children there. I remember it well--I almost drowned there!
    “Shows how ‘RECREATION ROT’ was eliminated in the small rural town when a young doctor took the advice of a county extensionist and built a live-wire activity program around a paid recreational leader. Color 1957 Documentary-promotional film about town planning, cast as a drama. A young doctor decides that his town is so boring that a general depression is settling over the populace, so he resolves to involve the community in a plan to develop recreation facilities. Some good images of idealized small town Americana; the color is pretty good. 00:00:26:00 Color 1957 cu Sign: WELCOME TO Spring Valley THE TOWN THAT ENJOYS PROGRESS. 00:00:29:00 Color 1957 vs Montage of small town life: Suburban street, boys riding bicycles; PAN over Main Street; various houses and buildings; WS farm with cornfield in FG; farmer on tractor; two men greet one another on sidewalk; elderly man raking lawn, woman brings him water. 00:02:30:00 Color 1957 ms Man enters office, hangs hat and coat on coat rack, looks out window through Venetian blinds. 00:07:30:00 Color 1957 vs Community meeting: various men and women around conference table; CU faces - they read as ordinary citizens. Also at 0:13:30. 00:11:26:00 Color 1957 ms Two women hanging laundry on clothesline. 00:16:18:00 Color 1957 cu, ws Sign says CAR WASH $1.00; PAN to group of teenagers, mostly girls, washing cars. 00:16:34:00 Color 1957 ms Woman at mailbox, opens it, retrieves newspaper. 00:18:30:00 Color 1957 ws PAN from lake to school bus; group of children in bathing suits exit school bus, run toward CAM; children run across beach; bus driver blows whistle, they all stop. 00:19:00:00 Color 1957 vs Montage of community recreation activities, brief shots: middle-aged people square-dancing, good; adult-education class, man draws diagram on blackboard; teenage boys in shop class, jig saw; softball game, girl hits baseball; tennis instruction; skiing and sledding; camping, children emerge from tent; elderly men playing dominos; boy with stamp collection; badminton; golf instruction; family packing car trunk (a Buick station wagon, two-tone aqua & cream) for camping trip; Buick station wagon drives down country road."