Down the rabbit hole on Good Friday

Good Friday morning I only read the hymn in my devotional magazine (Magnificat, v. 24, no.2) for Holy Week, for Good Friday. It was "Were you there when they crucified my Lord?" I got no further in the April 15th entry. I remembered the first time I heard it. It was a hot summer day, in midsummer 1953 or 54. I was a teen helper in the kitchen at Camp Emmaus in northern Illinois during an older teen camp week. It was very exciting for me--previous jobs had been baby sitting and corn detasseling. I don't remember why the campers were using this hymn in the summer, but a guy about 5 years older than me sang it to me. I never forgot it. That was the first step into the rabbit hole.

 
Then I had to check out my hymn sources. Another rabbit hole. So I looked at the Brethren Hymnal (c. 1951) and "Were you There" was there. Exact same verse and wording as my magazine (unusual for hymns I've learned). Then I checked my Lutheran hymnals and the hymn was in the 1958 (red), the 1978 (green) and the 1982 (blue) versions. My only Methodist Hymnal (1964) I keep at our Lake house. From the evidence on my shelves I'm suggesting that this hymn began appearing in main line church hymnals around 1950. It's now a standard, but it had been sung for many years in black churches.

I always read the information at the top, bottom and sides of a hymn, about the author, composer, collection, notes for the musician, etc. and of course, there's no information on the author and it's referred to either as a Spiritual or Negro Spiritual.

From there I moved on to my favorite source, "Amazing grace; 366 inspiring hymn stories for daily devotions,," by Kenneth W. Osbeck (1990). He wrote: "The Negro spirituals represent some of the finest of American folk music. These songs are usually a blending of an African heritage, harsh remembrances from former slavery experiences, and a very personal interpretation of biblical stories and truths. They especially employ biblical accounts that give hope for a better life--such as the prospects of heaven. They symbolize so well the attitudes, hopes and religious feeling of the black race in America."

Osbeck suggests: "Imagine yourself standing at the foot of the cross when Christ was tortured and crucified. Then place yourself outside the empty tomb when the angelic announcement "He is not here. . . ". Try to relive the emotional feelings that would have been yours. Allow this song to minister to you as you go through the day---. " For Good Friday, there's no better hymn to put you there.

Note: Although the phrase "down the rabbit hole" is from Alice in Wonderland (1865) over time it's come to mean getting sucked into an endless time search in reading or looking at the internet. I still use books, so it happens a lot.

Once to every man and nation

James Russell Lowell was a 19th century American poet, critic, essayist, editor, and diplomat, not a hymn writer, but I know this poem is found in Christian hymnals. I’m not sure of Church of the Brethren—that seems to be where I remember singing it.  The only hymnal I have at our summer cottage is the 1964 Methodist, and it’s on p. 242 set to music by Thomas J. Williams (tune Ebenezer).  The theme is “Courage in Conflict.”  There are other versions, some with more explicit Christian theology, so perhaps it was modified to be a hymn. 

This version contains eternal truths now under attack in our cities by Marxist/anarchist forces:  good and evil; cause and decision; bloom and blight, darkness and light. Choices to be made—truth, justice, faith, bravery, the threat of death, and over all, God is keeping watch.

Once to every man and nation
Comes the moment to decide,
In the strife of truth and falsehood,
For the good or evil side;
Some great cause, some great decision,
Offering each the bloom or blight,
And the choice goes by forever
'Twixt that darkness and that light.

Then to side with truth is noble,
When we share her wretched crust,
Ere her cause bring fame and profit,
And 'tis prosperous to be just;
Then it is the brave man chooses
While the coward stands aside,
Till the multitude make virtue
Of the faith they had denied.

Though the cause of evil prosper,
Yet the truth alone is strong;
Though her portion be the scaffold,
And upon the throne be wrong:
Yet that scaffold sways the future,
And, behind the dim unknown,
Standeth God within the shadow,
Keeping watch above His own.

James Russell Lowell, Public Domain

Poetry and music—how the schools and churches fail us

Although this is a challenge for Catholic schools and churches, it applies to all worship leaders and educators: poetry and music. Even when I was in school 60 years ago, my mother complained that we didn't have enough poetry in our curriculum.

"First, get rid of the lousy poetry and lousy music. Stupidity is always a vice, says Maritain. Nobody says, “It doesn’t matter what movies my child watches, so long as he watches movies,” or, “It doesn’t matter what my husband drinks, so long as he drinks.” Get rid of it. Nobody but the church performers enjoys it anyway. Replace it with real hymns. Don’t think you can get those from the big presses, OCP and GIA and such, because they have mangled the texts and dragged them through the mud. Sing the poems, as they were composed.

Second, return to poetry. The time is short, and the reward immense. Fifty lines of Tennyson can be committed to memory; five hundred pages of Dickens, not so fast. Have every student in your schools learn, say, twenty poems by heart. And their elders, too, might join in – have a Poetry Night in your parish, with the stipulation that every poem be written in meter.

We are suffering from cultural dementia, muddied and dulled by the strokes of the modern. It is time, little by little, for recovery."

https://www.thecatholicthing.org/2019/02/23/recovering-from-cultural-dementia/?

Not being Catholic, or even musical, I didn't know what OCP and GIA were, so I looked it up. The comments from the musical directors are hilarious.

https://forum.musicasacra.com/forum/discussion/8615/what-is-your-favorite-gia-or-ocp-hymnal-/p1

Oh For a thousand tongues to sing

https://www.youtube.com/watch?v=4O9kw3cILpg

We recently sang this in church—but to a more familiar tune by C.G. Glaser (1828).  Since Charles Wesley wrote it in 1739, I wondered what music had been used in the intervening 90 years.  Perhaps this one, but the YouTube didn’t give information on the music. Additional information from the web:

“ Lowell Mason’s (1792-1872) arrangement of the Carl G. Gläser (1784-1829) tune AZMON is used with “O for a Thousand Tongues to Sing” in the UM Hymnal. Gläser was a German composer and contemporary of Beethoven. Though Charles Wesley’s text has been sung to a number of tunes through the years, AZMON is the dominant choice throughout the hymnody of the mainline denominations.” https://www.umcdiscipleship.org/resources/history-of-hymns-o-for-a-thousand-tongues-to-sing

“If I had a thousand tongues, I would praise Christ with them all.” So said Peter Böhler to Charles Wesley, inspiring the first line of the classic hymn, “Oh, for a thousand tongues to sing, my great Redeemer’s praise” (Psalter Hymnal Handbook.) Written to celebrate the one year anniversary of Charles’ conversion to Christianity, this declaration of Christ’s power and victory in his own life, rich in Biblical imagery of the Kingdom of God, becomes our own hymn of praise. We stand with the angels before the throne of God, lifting our voices as one church to glorify the one who “bids our sorrows cease.”

And yet, we also sing in the knowledge that the Kingdom of God is not yet fully realized. We proclaim Christ’s victory as a declaration of hope that we will see Christ reign over all. We stand with the voiceless, the lame, the prisoner, and the sorrowing, and lift our song of expectation. (Bulletin blurb, https://hymnary.org/text/o_for_a_thousand_tongues_to_sing_my#authority_media_flexscores)

The original hymn had 18 stanzas. The seventh stanza became the first stanza of the hymn that we now know.  We sang four. 

Hymns of praise

 

We attend the traditional service at our Lutheran church (NALC) in Upper Arlington, Ohio.  There are two other types of services—one I call “happy clappy” which I’m guessing is mostly post-1960s songs and praise music without liturgy and the other “clangy bangy” with very loud guitars and drums, and we have two locations for one congregation. Right now we have a total of five services, but I can remember a time when we had 10, trying to suit all the tastes in worship style and preaching. Our traditional service at Lytham Road has a choir and the other two have praise bands with perhaps a quartet to lead the music.  The pastors rotate, so we all eventually hear the same sermons by the same pastors. Right now we’re in a study called “Gathered,” which is about worship.  Last week was on music (song) with sermon by senior pastor Steve Turnbull and yesterday was the sacraments by Aaron Thompson who is director of the high school ministry.  Lutherans have two sacraments—baptism and communion, but for 1500 years the Christian church had six sacraments, but Martin Luther cut them to two, and today many Protestant and Bible and non-denominational churches have no sacraments, only memorials.

So this all leads to the opening hymn of praise, “Praise the Lord! O Heavens. I always read the information about the hymn writers at the bottom of the page (I don’t like to read words on a screen, because I like to see the music so I can practice my dwindling ability to read music.) This one said, Text: The Foundling Hospital Collection, London, 1796.  One of the beautiful things I appreciate about the Internet is I don’t have to wait long to satisfy my curiosity. An antiquarian book dealer, Simon Beattie of London had one for sale and was discussing its history. You can go to his website for further explanation of the institution and its collection, and also http://www.intriguing-history.com/foundling-hospital-collection/  The hospital has a fascinating history which includes Dickens and Handel. https://en.wikipedia.org/wiki/Foundling_Hospital

The Foundling Hospital, Britain’s first children’s charity, had been established by Thomas Coram in 1739.  ‘The Hospital chapel, in use by 1749 and officially opened in 1753, soon became well known for its music as well as for its elegant architecture and adornments …  The singing of the children at ordinary Sunday services was a great attraction to fashionable London and became an important source of income to the Hospital through pew rents and voluntary contributions.  Music was specially composed and arranged for the Hospital chapel, and the success of the singing led to a demand for this music, which was met by the publication of a book called Psalms, Hymns and Anthems; for the Use of the Chapel of the Hospital for the Maintenance and Education of Exposed and Deserted Young Children.  It is generally known more informally as the Foundling Hospital Collection’ (Nicholas Temperley, ‘The Hymn Books of the Foundling and Magdalen Hospital Chapels’, Music Publishing & Collecting: Essays in Honor of Donald W. Krummel (1994), p. 6).  [from Beattie’s blog)

This hymn is in the 1978 Lutheran Book of Worship and the Lutheran Service Book and Hymnal of 1958, which notes the text is by John Bacchus Dykes, 1823-76, which wouldn’t work with the copyright of 1796.

Need hymns for Memorial Day services?

Need hymns for Memorial Day? This time of year, it's my most popular blog post. They are from a 1964 Methodist hymnal that I found at a book sale for ten cents.  And remember! Memorial Day (which began to honor Civil War dead) is for deceased; Veterans Day observed the end of WWI (11th hour of the11th day of the 11th month) and is for all veterans.

 Hymns for Memorial Day Observance

Also some news about veterans.  There's a bill to allow WWII women veterans into Arlington Cemetery.  I didn't know anyone was keeping them out, but apparently some Democrats were.

http://www.speaker.gov/photo/women-wwii-deserve-be-arlington

Memorial Day was originally called Decoration Day and honored the war dead of the Civil War with flowers on their graves. After WWI it became Memorial Day and honored all war dead, or even all deceased friends and family depending on your customs.

When I was very young, I sold paper red poppies with my siblings to raise money for the American Legion, of which my dad was a district commander in Illinois. When I was older I remember attending services at the band shell in Mt. Morris, where a senior student was chosen to recite the poem, "In Flanders' Field." First my grandparents would decorate my uncle's grave (died in China in 1944) at the Ashton, IL cemetery; then later my mom and her sister; and after they died, my father went to the cemetery with the flowers. Now they are all gone, and I think my brother who now lives in Franklin Grove has continued the tradition.

The old hymns

For my exercise on the stationary bike this morning I Googled "YouTube choral hymns" and found this nice selection. It's not the beat, it's the content I look for. https://www.youtube.com/watch?v=zpHf3hMnPfA

I grew up in the Church of the Brethren and I don't recall we sang anything that had a beat--and then in 1974 we joined UALC and became Lutherans and they missed out on those twangy camp songs too, being mostly ethnic Scandinavians (in our synod). Now we're ecumenical and have boomer music at one service and loud and bouncy at another, but I'm back with the hymns. The Brethren were pacifists and didn't have "Onward Christian soldiers" in the earlier hymnals although I think we all knew it. So it’s good to hear all the oldies but goodies.

3351 Monday Memories--Grandmother's Hymnal

One of the books I inherited that means a lot to me is my maternal grandmother's hymnal. Here is what we librarians call the bibliographical information and a description of it. I have a 115 page list of my grandparents books which I used for various publications I wrote when I was working. (Aren't you pleased I'm not listing them all?).

The word "Brethren" refers to "Church of the Brethren" an Anabaptist group, although at the time this title was printed, they just referred to themselves as "Brethren." The official term was German Baptist Brethren at that time. My family spoke German for about the first 100 years they were in this country (giving it up around the 1820s) and the Brethren printed the first European language Bible in the colonies--but it was in German, not English.

I used a wonderful program called "Notebook" to make this list, which I no longer have or know how to use (lots of DOS type commands), and could sort by author, title, date, publisher, subject or keyword. Any time you complain about the hymns your church is using--just take a look at what your denomination was singing 100 years ago. It's an eye-opener.

Brethren's Tune and Hymn Book: Being a Compilation of Sacred Music Adapted to All the Psalms, Hymns, and
Spiritual Songs in the Brethren's Hymn Book. Carefully revised, rearranged and otherwise improved. Mt. Morris, IL: The Brethren's Publishing House, 1894. no. 11

Subject: Brethren--Hymnbooks

Notes: Script: "Mary L. George, Ashton, Illinois."
This is a reprint of the 1879 "The Brethren's Hymnbook"
edited by J.C. Ewing, the first hymnbook with four-part
harmony, copyright by Quinter and Brumbaugh Brothers.
James Quinter selected songs from earlier editions.
Today we would recognize few of the hymns in this book.
The Brethren's Publishing House was privately owned.
In 1897 all rights and titles were turned over to the
Church's General Missionary and Tract Committee and it
moved to Elgin. When the Kable Brothers started their
printing venture in Mt. Morris, they used the printing
plant. ("Brethren Press," Brethren Encyclopedia, Vol.
1:193)

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My visitors and those I'll visit this week are:Anna, Becki, Chelle, Chelle Y., Cozy Reader, Debbie, Friday's Child, Gracey, Irish Church Lady, Janene, Janene in Ohio, Jen, Katia, Lady Bug, Lazy Daisy, Ma, Mrs. Lifecruiser, Melli, Michelle, Paul, Susan, Viamarie.