When VBS was over the curtains were saved and hung in the upper level. The best view was standing at the end of the corridor and taking in the explosion of color. Like the parables, "the curtains REVEAL (open) and show the drama and they also CONCEAL (close) and hide it. They create anticipation. They help our hearts lean toward the truth. The stage curtain is open or closed and the meaning of the parable is open or closed depending on the readiness of the hearts in the audience. It's by grace that our hearts become ready to hear God's word with faith."
Monday, July 29, 2024
Vacation Bible School beautiful art at UALC Mill Run
When VBS was over the curtains were saved and hung in the upper level. The best view was standing at the end of the corridor and taking in the explosion of color. Like the parables, "the curtains REVEAL (open) and show the drama and they also CONCEAL (close) and hide it. They create anticipation. They help our hearts lean toward the truth. The stage curtain is open or closed and the meaning of the parable is open or closed depending on the readiness of the hearts in the audience. It's by grace that our hearts become ready to hear God's word with faith."
Friday, March 08, 2024
Be Kind Campaign for adults
First, the rules sound like it is for kindergarten age, and second, it might work better in a church Vacation Bible School program than a campus of a major university.
Here's the name of the contest: #BeKind Instagram Walls Contest.
Here's the purpose of the contest: promote kindness, love, positivity and mental health support on the OSU campus and in the Columbus, Ohio, community.
Here's what the entrant submits: Art via Instagrammable wall. An Instagrammable wall is a decorated or artistic wall that lends itself to being photographed and posted on social media. The contest will consist of wall artwork that shares messages about kindness, happiness, love and Buckeye Pride. The art can be any type of visual 2D media (paintings, illustrations, photography, etc.) with other details on the website, which I won't post.
So, I was so stunned that adults needed contests to be kind and that Instagram is considered art (a 2-fer), I asked Chat/AI if kindness contests were popular on college campus. Oh yes, s/he gushed. It's really BIG. It can be like holding the door open for someone, or saying thank you, or sharing a snack!. Woo! Woo! Imagine that I said. They not only don't know basic biology, like who is a male and who is a female, but mom and dad didn't teach them any basic social skills, so one more reason Meta (who owns Instagram and Facebook) has to collect more information about them.
Here's a link to a NATIONAL organization to be kind. It has a board of directors, corporate support, fund raisers and all sorts of things you could research. And to think that churches do this for free! And teachers at my parents' one room rural schools back in the 1920s knew how to do it! Amazing.
https://thebekindpeopleproject.org/about/school-support/
I smell the poop of a cash cow.
Saturday, December 24, 2022
Out of practice
I'm serving Christmas dinner tonight--Christmas Eve. Then tomorrow we'll have left overs. That works out well because Christmas is on Sunday this year, and our church will have a 10 a.m. service. It's not hard to throw a few sandwiches and left-overs on a paper Christmas plate if you don't get home until 11:30.
However, I'm more than a bit out of practice. I made the potato salad yesterday and cut up some of the fruit. So this morning I've been making sweet potatoes with brown sugar glaze, mixing up the onions, red peppers, mushrooms and bacon for the green beans that are steaming, putting the rest of the fruit together, and getting the ham ready to go in the oven about 4 p.m. But the messiest thing was the scalloped corn. I don't make it often because Bob hates, loathes, despises corn. I need a few guests if there is even the smell of corn. But after 62 years of cooking, I've made it many times. You should have seen the kitchen! I must have used every pan and bowl I owned, and checked the computer 5 times (couldn't find my old recipe if I even had one). I even pulled out my Mom's red Hall's mixing bowl looking for her magic to be sure it would come together.
Yesterday I opened a can of worms, or at least a box of pictures and letters, and they were spread all over my office floor. We decided we needed to put all our home made Christmas cards into one album. I found an empty album, but Bob found a better one, so today he inserted all the cards we could find, beginning with 1985. I think there are 29 in the album. When we lived on Abington, he made silk screened cards a few years, but they are the wrong size for this album. My college roommate Dora, who is a profession artist, made lovely cards, and we have them arranged in a frame as a piece of art. dora hsiung - fiber artist - fiber art
Wednesday, December 15, 2021
Advice from Kurt Vonnegut
__________________________________-
November 5, 2006
Dear Xavier High School, and Ms. Lockwood, and Messrs Perin, McFeely, Batten, Maurer and Congiusta:
I thank you for your friendly letters. You sure know how to cheer up a really old geezer (84) in his sunset years. I don’t make public appearances any more because I now resemble nothing so much as an iguana.
What I had to say to you, moreover, would not take long, to wit: Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what’s inside you, to make your soul grow.
Seriously! I mean starting right now, do art and do it for the rest of your lives. Draw a funny or nice picture of Ms. Lockwood, and give it to her. Dance home after school, and sing in the shower and on and on. Make a face in your mashed potatoes. Pretend you’re Count Dracula.
Here’s an assignment for tonight, and I hope Ms. Lockwood will flunk you if you don’t do it: Write a six line poem, about anything, but rhymed. No fair tennis without a net. Make it as good as you possibly can. But don’t tell anybody what you’re doing. Don’t show it or recite it to anybody, not even your girlfriend or parents or whatever, or Ms. Lockwood. OK?
Tear it up into teeny-weeny pieces, and discard them into widely separated trash recepticals. You will find that you have already been gloriously rewarded for your poem. You have experienced becoming, learned a lot more about what’s inside you, and you have made your soul grow.
God bless you all!
Kurt Vonnegut
Monday, September 11, 2017
A surprise for our anniversary
Thursday, June 02, 2016
Snopes wins again. . . it's fake

But Snopes says no, it's false. The art is real, but the words and information is false. The artist is Friedrich Kunath of New York, the title of the display (several pieces) is called Tropical Depression. My own interpretation is that when you plant anything you better plan to water it. http://www.snopes.com/melting-pot-multiculturalism-artwork/
http://contemporaryartlinks.blogspot.com/2010/10/friedrich-kunath-tropical-depression.html
Saturday, November 28, 2015
A hoarder’s collection becomes art
We’ve all known a hoarder—and maybe there’s a little of that in all of us. I don’t think of myself as a hoarder, yet I do have favorite “collections,” like small pieces of Hull Pottery, works by Ohio artists, kitty boxes (small) made of glass, ceramic, card board, etc., glass and crystal that belonged to my mother, grandmother, and great grandmother, books I’ll never read but like to look at on the shelves, old photographs, and when we put up the tree yesterday, I could see decorations 40-50 years old. I even have three editions of old Encyclopedia Britannica, about 100 years old. And of course, my clothing “archive,” dresses or jackets I wore in the past to dances, weddings, Easter services, etc. The oldest is from winter dance 1955, if you don’t count the dolls and doll clothes which are from the 1940s. These dollies (mine) are sitting on my great grandmother’s chair next to my husband’s grandparents’ secretary. But is that hoarding or saving antiques? Ask my daughter after I’m gone and she has to dispose of it.
This daughter was ashamed of her mother’s hoarding, but eventually learned to turn it into art.
http://takingnote.blogs.nytimes.com/2015/11/12/a-mothers-hoarding-a-daughters-art/?
http://www.stephanielcalvert.com/resume/
Monday, March 17, 2014
Monday Memories, Pt 2—The Nemacolin Woodlands Resort
Between the two museum tours, the Carnegie and the Frick we had a wonderful lunch in Pittsburgh at Lydia’s of Insalata Caesar, a trio of pasta—malfatti with fresh spinach and ricotta, ziti with sausage and onion, and wild mushroom ravioli with thyme butter sauce, topped off with assorted cookies.
In the beautiful sun room at the Chateau in Nemacolin
Then we continued on to The Nemacolin Woodlands Resort near Farmington, Pennsylvania, about 215 mi. from Columbus. At Nemacolin (named for a famous Indian) there are several elegant hotels, cottages, houses and town homes to rent; wonderful restaurants, a zoo, swimming, skiing, tennis, bowling, dog sledding, off road driving instruction, fly fishing, golf, shooting ranges, spa and fitness, special activities for children and babysitting, an RV park and wonderful shops. There are also accommodations and spa for your pets (dogs, I think). Nearby in Ohiopyle is river rafting. And, a casino. Really there is something for everyone, and all ages.
The owners of the resort, the Hardy family of 84 Lumber, have art valued at $45 million--everything from antique cars to Tiffany lamps to paintings and prints. After breakfast in one of the wonderful restaurants in the Chateau Hotel, our group gathered in the registration area and with docents viewed a very small piece of the collection, primarily paintings, Tiffany glass and some glass sculptures. The collection is best described as eclectic and idiosyncratic.
Tuesday, February 18, 2014
A visit to the Pizzuti Collection inaugural show

Today our Conestoga group (Friends of the Ohio Historical Society) had a mid-winter, kill the blahs tour of the new Pizzuti Collection, lunch at the new Hilton, and then a tour of the Hilton’s wonderful art collection of Ohio artists. What a day! Just fabulous. And the sun came out and it is in the mid-40s heading for 50 degrees. This inaugural exhibit is the private collection of Ron and Ann Pizutti of contemporary art which they have been collecting since the mid-70s. The collection is now a 501-c-3 and it includes a lovely renovated building, formerly the United Commercial Travelers insurance building, with 18,000 sq. ft., at 632 North Park Street, 43215, in the Short North neighborhood of Columbus.
Exhibition press release:
The opening exhibitions feature the Pizzuti Collection through two lenses. The Inaugural Exhibition on the first and third floors presents the collection in a narrative form, using works from the collection to connect the threads of experiences, artists, and galleries that guided its formation for more than 30 years. The Inaugural Exhibition will include works by John Chamberlain, Dave Cole, Jean Dubuffet, Carroll Dunham, Leandro Erlich, Darío Escobar, Ori Gersht, David Hammons, Guillermo Kuitca, Josiah McElheny, Louise Nevelson, and Ai Weiwei.
Additionally, the grand opening of the collection can be viewed through a thematic lens. Cuban Forever highlights compelling contemporary art, primarily by native Cuban artists. Much of the artwork in the collection was acquired via trips to artist studios in Cuba to meet and learn more about the art being produced in the country. This exhibition presents the best survey of the Cuban contemporary art scene today. The artists presented include Yoan Capote, Raúl Cordero, Enrique Raúl Martínez, Enrique Martínez Celaya, and Douglas Peréz. In addition to works by native Cubans, the exhibition includes work by Americans Michael Eastman and Teresita Fernández. Eastman’s stunning photographs of Havana and Fernández’s evocative sculptures transcend the artists’ nationalities and underscore the global environment in which Cuban artists work. The name of the exhibition, Cuban Forever, was chosen to emphasize the global nature of the artists included, reinforcing that the Cuban identity is not bounded by geography.
The Pizzuti Collection also includes programs for school children, educational programs, a library, talks by artists (because it features contemporary art many of the artists are alive), lectures, rotating exhibitions with a variety of memberships ranging from$3600 to $75.
From the windows of this building we could see the construction of a new complex which will include a new office building, parking garage and Le Méridien Columbus, The Joseph a 135-room, art-themed boutique hotel on High Street in the Short North arts and entertainment district.
Monday, February 10, 2014
Monday Memories—My own picture book
Thursday evening we attended the opening of the Toulouse Lautrec show at the Columbus Museum of Art. As well as drawings and posters by Toulouse Lautrec, there were interesting pieces by avant-garde artists in Paris around the turn of the twentieth century. . . “paintings, watercolors and drawings; rare zinc shadow puppet silhouettes; illustrated programs for the famous Chat Noir cabaret shadow theater; and key ephemera for Parisian theaters, circuses, cabarets and café-concerts which document the activities of artists during this rich period.”
This painting of trees along a canal reminded me of a painting I’d learned about in elementary school. The next day I dug around in my bookshelves and found “My Own Picture Book” book 4 and 5, by Theodora Pottle.
Forreston was a very small town and we didn’t have art instruction, however, looking through these two books—there are eight in the series—if the teacher followed the instructions and plans, children would get a good overview of “interpretations of masterpieces.”
Each book had 36 pages, and they were published by Johnson-Randolph Company of Champaign, Illinois. Although I can remember working in the books, I don’t believe we were graded, and the excellent art instruction in the back of each book probably wasn’t used. By fifth grade, we cut the color reproductions with our scissors, but for the earlier grades they were included in an envelope in the back of the book.
The page on the left (black and white) includes some historical background about Holland, then describes what are the most important features of the painting, then a discussion of perspective, and finally a paragraph about the artist, Meindert Hobbema. The other nine masterpieces in book 5 have similar layouts. Then the page on the right has a color representation to paste in place, with questions and activities. There is a referral to p. 36 where one point perspective is explained. Looking through the two books I have, I became curious about the person who put together such a delightful set of learning tools—although I didn’t appreciate it in 1949 like I do in 2014.
Her name is Theodora Pottle, and she taught art at Macomb State Teachers College (now Western Illinois University). According to the website, she “received both her B.A. and M.A. from the University of Chicago; however, she also studied at the Art Institute of Chicago, Columbia University, the University of Colorado, the University of Arizona, and even the Ransom Studios in Paris, France. By the time she came to Western Illinois University in 1928, . . . as an instructor and head of the art department, she had already taught music and art in Duluth, Tucson, Ludington, Traverse City in Michigan, and the University High School in Chicago. She had also traveled to forty-eight states, Canada, Mexico, and had made frequent trips to Europe .

During her career, she published a number of children’s art textbooks called “My Own Picture Book Series.” These were designed to be used in elementary schools to generate an enthusiasm for the arts in young children.”
She retired in 1958 and never married or had any children, although certainly she must have influenced thousands of children over the years as well as the many students in her art classes who went on to teach others.
http://iwa.bradley.edu/essays/TheodoraPottle
When Ms. Pottle was a child, her parents had a theater company and she also performed with them. (Find a grave, Adelaide Eunice Goodrich Pottle)
Friday, April 06, 2012
Behind every powerful man. . . is a smart woman
Some might call La Malinche a traitor, but if you were a slave, and slaves were destined for sacrifice to the gods when the winners changed in ritual wars, who would you side with? Pretty it up as much as you want with cultural anthropological chit chat, but the woman may have been ahead of her time. She is the mother of the mixed races of Mexico. And God only knows what the radical feminists do to this story.
“Before the Spanish conquest, the Aztec civilization controlled trade routes from the Pacific Ocean to the Gulf of Mexico and as far south as Guatemala. Its rich and populous empire was helld together by marriage alliances and ritualized battles in which large numbers of enemy warriors were captured and sacrificed to honor and sustain the gods. When Hernan Cortes sailed from Cuba to claim the Mexican mainland for Spain in 1519, he could not have anticipated the odds against him and his small force of 600 foot soldiers and 15 horsemen.
His ultimate success in subduing the Aztecs was in large part due to the help of a Nahua slave woman called La Malinche, who became his chief interpreter, advisor, and the mother of his firstborn child. She advised Cortes on the weakness of Aztec alliances with other indigenous groups, their respect for ruthlessness, and their preference for capturing rather than killing their enemies in battle. Cortes used his information to defeat an army that was better supplied and much larger than his own. After God, he said, La Malinche was his most important ally.”
Thomas B. Cole, MD, MPH, JAMA March 28, 2012 describing the cover of the journal named for La Malinche.
Tuesday, December 27, 2011
Caravaggio: The power of art
Thursday, January 20, 2011
Barack Obama--News source
The tags appear to be created by robots, not people. That's untidy. Really can put a librarian's teeth on edge. I think a conservative website would be more careful.
Barack Obama
Wednesday, May 12, 2010
Artemisia - One-of-a-Kind Artwear and Accessories
- Artemisia opened its doors in March 2002. It only happened because of a broken leg: When Annette broke her leg skiing in March 2001, it made her sit still for quite a while - long enough to start fantasizing about transforming her interest in fabrics and design into a career.
I clicked on a Facebook ad. I understand they are doing very well.
Tuesday, May 11, 2010
It’s Close at Akron Art Museum
Western Reserve Public Media It’s Close at Akron Art Museum
Thursday, April 29, 2010
Georgia O’Keefe Lifetime movie now DVD
Joan Allen as Georgia O’Keefe in Biopic on Lifetime | Women & Hollywood
I read through the timeline at Lifetime and found it very informative. If the library ever buys it, I'll check it out. It's available also at Blockbuster, according to Jane Davis, a Columbus watercolorist.
Thursday, April 15, 2010
My caballo is prettier


From Dick Blick web catalog
"Made of oak and handcrafted in the USA, the Caballo is a bench and an easel in one. It folds easily for travel or storage — its attached wheels and poly straps make it easy to move anywhere.
When you're ready to paint, just unfold the Caballo, and you've got an instant studio space complete with a place to sit, a supply drawer, a storage compartment, and a sturdy easel for sketching or painting.
Perfect for working on location, it's also a great space saving solution for anyone who has to share "studio space" with the rest of the family."
Friday, February 26, 2010
Blue Shoes returns to Mill Run

Today the Visual Arts Ministry of UALC is hanging a new show by the men and women of Blue Shoe Arts, which helps artists with disabilities create original art - outsider and folk art, found object sculpture, painting and drawing, fabric art and cartoons. They are supported by the sales of their own art and the MMRD sheltered workshop in an old shoe factory in Lancaster, OH. We purchased one of Joseph Greene's paintings of Noah and the Ark two years ago when they had their first show at Mill Run. Everyone who sees it, loves it. I'm no longer a member of the ministry, but so many people are out of town, I agreed to help.
The Mill Run campus of Upper Arlington Lutheran Church is open Sunday through Thursday, so be sure to make a special effort to see it if you are in the building, or looking for something interesting to enjoy or purchase. The above photos are from the previous show.
Friday, January 29, 2010
Great art, great message

Panera's changes the hanging banners/art about 5 times a year, I think. Some stores have permanent art, some don't. I created a fan page for the one at 5 points, Upper Arlington, because I see a lot of FaceBook and church members there. I also see artists and writers, professors, retirees, new mothers, a Roman Catholic book group, a collection of Columbus school teachers, a Lutheran book club, school children, my neighbors, and last week met a publisher/chef (who lives in our former house). And that's just the folks I talk to. When our town was hit by Hurricane Ike, this store was one of the few places around with power, and they practically fed the entire community for days. It's one thing to go without a shower--but no coffee?
Since I enjoy art and like to draw and paint, I want to call your attention to the winter banner. It's not only wonderful design, but a great message. For Christians, I'd add Reach, Redeem, Reclaim. The figure appears to be either an African or Asian male raising his hands in praise for blessings swirling and twirling, curving like vines, coming down from heaven, but also offering up something much more stylized like a small tree or leaf. In the background behind the head it could be his/her hair flowing or something roaring and twisting--maybe an ocean or an oozing mass of something he'd like to escape. I'm not sure why s/he's wearing a long sleeve sweater, but it does allow the artist to pick up on the most recent interior color scheme--gold, cream, brown, rust--yet some new colors, the purple, lavendar and pale blue are brought in and work well.
It looks great across the room, but even better up close where you can see the detail.
Update: The artist is Andrea Eberbach. You can see her portfolio here. Now that I've seen some other pieces, I think this is probably a woman and the dark background behind the head is her hair. But it works for me either way.



