Shelby Steele’s book, Shame. Reviewed by Joseph Epstein
“Liberalism in the twenty-first century,” Mr. Steele writes, “is, for the most part, a moral manipulation that exaggerates inequity and unfairness in American life in order to justify overreaching public policies and programs.” This liberalism, which is not your Aunt Bessie’s liberalism but the liberalism that came into play at the 1972 Democratic convention that nominated George McGovern, “is invested in an overstatement of America’s present sinfulness based on the nation’s past sins.”
Mr. Steele argues that liberalism’s efforts to alleviate the past injustices done to blacks in America have amounted to another botched project of that famously failed political construction firm, the Good Intentions Paving Co. “Liberalism,” Mr. Steele writes, “expresses its inborn racism in the way it overlooks the full human complexity of blacks—the fact that they are more than mere victims—in order to distill and harden the idea of their victimization into a currency of liberal power.”
Liberals, Mr. Steele holds, deal in what he calls “poetic truth.” This is a kind of truth “conceived in reaction to the great shames of America’s past—racism, sexism, territorial conquest (manifest destiny), corporate greed, militarism, and so on.” In poetic truth, the world is reduced to victims and victimizers, with liberals alone innocent of evil and thus excluded, by self-dissociation, from the role of victimizers. Under the realm of poetic truth, Mr. Steele explains, the race riots of the late 1960s could find justification and the feminist slogan “woman as nigger” could be taken seriously, while “fifty years of real moral evolution in America” can be entirely ignored.”
No one wants to be someone else’s “good deed project,” whether in a 3rd world country or urban non-profit.