2130 The writing class assignment

This week for our writing group, our topic "tickler" is a memory evoked by a Norman Rockwell magazine cover or that of another famous illustrator. Those of you familiar only with today's run of the mill, same-face-of-the-day covers (Brad or Jen or Angelina or mix and match on five different covers), might wonder why a magazine cover would evoke a memory. Yet for the first 60-70 years of the 20th century artists competed to be on the cover of business, current events, fiction and general interest magazines, particularly, Collier's, Saturday Evening Post, Ladies' Home Journal, Redbook, Ford Times, Country Gentleman, Boys' Life, and Literary Digest, to name a few. And Norman Rockwell was one of the best and the most famous, and probably the richest, if commissions tell the tale.

However, by the time I was a young adult, snobbery had set in, and because of his success, his topics, or the building war in Asia which made us question and doubt anything pro-American it became popular to turn up your nose and sniff at Rockwell's populist and cliched paintings. If you look at his composition, his use of light and value, his humor, his pathos, his occasional caricature or pulling the viewer's nose, and his technique, he really is in a class with the painters of the Renaissance. (Look at one of his April Fool paintings in the 1940s; is it a joke or isn't it?)

Through no fault of his own, he became a target of art critics and art history teachers who couldn't agree on the value of realism, or whether art should tell a story, but were quite pious about their own favorites in modern and abstract art. Snooty, snooty, snooty. And a lot of us fell for it, even me. We learned to love (or at least hype) the ugly and profane. Middlebrow all the way. That was me. Afraid to say the emporer had no clothes.

This will be my topic for the class, never to see the light of day, of course.

Norman Rockwell
writing topics
American artists